Neil Gaiman was here in Manila last July and I got close enough to capture some pictures and video. The pic posted here was actually taken by my wife.

And every local fan who has a blog has probably blogged each one’s own euphoric experience with Neil. No, I won’t go into that right now – suffice to say that my neck got crisped, and that I couldn’t get to work the next day because both my legs were cramping, and that I never got to shake his hand. Yet it was still a strange, but euphoric experience for me.

Why strange?

Well, Neil’s a celebrity of sorts – one newspaper called him a rock star. And the usual celebrities I know don’t give as much of themselves as he did. He was signing individual, personalized notes and greeting and hugging, and posing with fans for over 6 hours on day 1, another 6 hours or so on day 2, and I think another 5 hours on day 3. Never at any point did he show annoyance at the adulation. He’s really, genuinely nice. He has none of the usual prima donna airs that us commoners have come to associate with celebrities.

The other thing I found strange was the crowd. Normally, if you have a big Pinoy crowd, add heat, and then add a trouble-maker or two, you have a good recipe for an unruly mob. People start to break lines, and make like crabs trying to out-trample the rest of the horde to get ahead.

In this case, you had well-behaved, and orderly lines! Even at the ends of the queue, where line marshals were not to be seen, people were truly behaved and supportive of each other.

I tried to figure that one out. Everyone was obviously a fan of Neil. Graphic novels or his prose. Readers all. Some people easily dismiss comics or graphic novels as idiot’s fare. But ask any Sandman fan and I’m sure he or she will tell you that it goes beyond the pretty drawings. These people were thinkers. These were people who could look beyond themselves and understand the bigger picture.

I think reading does that.

 

That piece on JDLC’s Langit got me reminiscing about my barkada in Fairview. We were all into what is now called Classic Rock, and Pinoy Rock. And on some days we’d actually get into informal jams. Nothing much – just two acoustic guitars, and someone on vocals who could sing – or at least believed he could sing.

I hope that I can jam with my kids one day. But to date, only son # 2 seems to show any musical interest. Lemme see…. What did I listen to when I was a kid?

In those days, home entertainment consisted of a TV, a Stereo, and a transistor radio or two. Those stereos were huge beasts – not the type you could put on the shelf nor carry on your shoulder. And so naturally, they also had huge speakers, which meant you really couldn’t play soft muted music. And my dad would listen to his records every weekend. I think Sunday was pretty much blast-them-termites-off-them-walls days.

And what was I forced to listen to? Ray Conniff, Mantovani, Enoch Light, Andy Williams, The Lettermen, and Harry Belafonte live at Carnegie Hall. By the time I was 10, I had memorized Harry Belafonte’s ad-libs and at what points the audience would laugh. Googling, I’ve just found out that: ‘If Mantovani is the epitome of elevator music, Ray Conniff is the epitome of supermarket music. ‘ (from http://www.spaceagepop.com/conniff.htm).

My older cousins had cooler stuff. One had Santana’s Lion Head album, and another was into Sergio Mendes and Brazil ’66. I wish I’d spent more time with my cousins.

Then I think Channel 9 showed A Hard Day’s Night and introduced me to what many recognize as the group that started it all. I soon discovered that DWIZ had a special All-Beatles program… and that better yet, DWOK had an All-Beatle Sunday format. And that if you turned the dial a bit to the left of DWOK, you landed on DZRJ, The Rock of Manila. Nah, it didn’t play most of the goofy stuff that Ramon Jacinto really likes nowadays. Back then it was Larry Coryell, the Doobies, EC, and at 6:30pm, you had Petrified Anthem, Aunt Irma, Phase 2, and of course, JDLC. Man, I miss those days.

A few years back I saw a CD of Harry Belafonte Live at Carnegie Hall. I thought once, twice, and a third time. I left it on the rack. I was worried that I’d start crying if I heard it once more. Googling again, I guess I made the right choice because people are complaining about the incomplete transfer from LP to CD.

Else I’d be crying because they’d have edited out important memories.

 

When I’m in most need of a rah-rah, a song from a long, long time ago would pop into my head. And if I’m alone, I will actually start to hum and sing. I think the last time it came to me was Thursday or Friday last week – so I finally thought of looking it up over the ‘net.

It’s actually a school song, taught to me in Grade School. I don’t know why it does the thing that it does to me…if it’s the lyrics, or the martial tune, or both. But when the song is done, I’m ready to slug it out again.

Here it is:

Herald the Bedans coming,
May their fellowship never cease;
Molded by bold undaunted men
of pray’r; work and peace,

Through the carefree days of our boyhood
And the visions of our youth
You gave us the wisdom of Benedict’s soul
Faith in God and love of the truth
When we encounter trials and hardships,
We shall give you honor and fame,
For nothing but these show our loyalty clear
To our Alma Mater’s name.

Bring out the challenges, we’ll win them all;
And fear neither fire nor blood;
Bedans will answer the clarion’s call
For San Beda, our country, and God.

I found that on the ‘net. And discovered that I had a few words wrong, and that it’s not entitled ‘Herald the Bedans Coming’ but ‘ALMA MATER HYMN’. And guess what… the composer is the late Raul S. Roco.

Had I known that little fact over a year ago, then I would have voted differently in the last presidential elections. Sigh.

For you Mr. Roco.

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